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10 songs that feel like All the Things You Are

Matched to All the Things You Are by Keith Jarrett on how the music actually moves — intensity, dynamic swing, texture, tempo — not by genre tag. Here's what makes each one a match.

All the Things You Are
The song you love
All the Things You Are
Keith Jarrett
moderate 45/100 intensity 140 BPM
Blues for Duane — Freddie Hubbard moderate 120 BPM

A 96% feel-match — carries the same warm pull and lands at almost exactly the same energy (43/100).

James — Pat Metheny moderate 147 BPM

96% match across our 8 measured dimensions; it lands at almost exactly the same energy (41/100). Same layered texture.

Re: Person I Knew — Bill Evans safe 120 BPM

Keeps the same warm pull — lands at almost exactly the same energy (43/100). Measured 94% alike.

The Greeting — McCoy Tyner moderate 120 BPM

Measures 94% the same. It lands at almost exactly the same energy (43/100). Same layered texture.

Indiana — Oscar Peterson moderate 120 BPM

A 96% feel-match — carries the same warm pull and lands at almost exactly the same energy (43/100).

Symphony No. 8 in B minor, D 759 "Unfinished" — Franz Schubert moderate 120 BPM

96% match across our 8 measured dimensions; it lands at almost exactly the same energy (43/100). Same layered texture.

Parker's Mood — Charlie Parker moderate 120 BPM

Keeps the same contemplative pull — lands at almost exactly the same energy (43/100). Measured 96% alike.

Nefertiti — Wayne Shorter moderate 120 BPM

Measures 96% the same. It lands at almost exactly the same energy (43/100). Same layered texture.

Witch Hunt — Wayne Shorter moderate 120 BPM

A 96% feel-match — carries the same contemplative pull and lands at almost exactly the same energy (43/100).

Sicily — Chick Corea moderate 120 BPM

96% match across our 8 measured dimensions; it lands at almost exactly the same energy (43/100). Same layered texture.

…and if you want it calmer

Same feeling, measured gentler — for when All the Things You Are is more than you want right now.

Re: Person I Knew by Bill Evans
Re: Person I Knew — Bill Evans safe 120 BPM

Keeps the same feel of the original, but it stays in our safe band start to finish. Intensity 43/100, down from 45.

Line of Fire by José González
Line of Fire — José González safe 126 BPM

Its dynamic range stays a gentler 3 where the original climbs to 7, so it lands at 16/100 — the pull without the edge.

Autumn Leaves by Bill Evans
Autumn Leaves — Bill Evans safe 160 BPM

If it's the same feel you're after, this delivers it while it stays in our safe band start to finish. Reads 35/100.

Crepuscule with Nellie by Thelonious Monk
Crepuscule with Nellie — Thelonious Monk safe 60 BPM

Holds the same feel while it stays in our safe band start to finish. 45/100, versus the original's 45.

Sprout and the Bean — Joanna Newsom safe 110 BPM

Keeps the same feel of the original, but its dynamic range stays a gentler 4 where the original climbs to 7. Intensity 19/100, down from 45.

Nocturne in E-flat major, Op. 9 No. 2 by Frédéric Chopin
Nocturne in E-flat major, Op. 9 No. 2 — Frédéric Chopin safe 60 BPM

Its dynamic range stays a gentler 5 where the original climbs to 7, so it lands at 25/100 — the pull without the edge.

That's the Way by Led Zeppelin
That's the Way — Led Zeppelin safe 72 BPM

If it's the same feel you're after, this delivers it while its dynamic range stays a gentler 4 where the original climbs to 7. Reads 21/100.

Stay the Same by Bonobo
Stay the Same — Bonobo safe 95 BPM

Holds the same feel while it stays in our safe band start to finish. 39/100, versus the original's 45.

Frequently asked

What songs sound like “All the Things You Are” by Keith Jarrett?

The closest feel-matches we measure are “Blues for Duane” by Freddie Hubbard, “James” by Pat Metheny, “Re: Person I Knew” by Bill Evans — the top match scores 96% alike. Matching is by how the songs actually move (intensity, dynamic range, texture, tempo, predictability, vocal force), not by genre tag or popularity.

What songs are like “All the Things You Are” but calmer?

“Re: Person I Knew” by Bill Evans, “Line of Fire” by José González, “Autumn Leaves” by Bill Evans keep a similar feel while measuring gentler — lower dynamic swing, fewer sudden shifts, or a calmer overall level.

How intense is “All the Things You Are”?

It measures 45/100 on our intensity scale, computed from a dynamic range of 7/10, layered texture, mild sudden shifts, and instrumental. Tempo is 140 BPM.

How do you decide which songs are similar?

Every song in our catalog is measured on 8 dimensions — intensity, dynamic range, tempo, sudden changes, texture, predictability, vocal force and fine sound detail. Similarity is the distance between two songs across those measurements, so matches cross genres and eras. Shared mood tags break ties.

By the numbers: how this song compares

Computed from this song’s place among the 19,209 songs we’ve measured.

Where it sits in 19,000 songs

On our 19k-song scale this lands in the middle band — more energetic than 42% of songs, calmer than the other 58%. Its intensity reading of 45/100 comes from a dynamic range of 7/10, layered texture, mild shifts, and instrumental. It shares this stretch of the spectrum with thousands of other tracks, so the finer fingerprint below is what really separates it.

What makes it unusual

What stands out most about this song is a fast, driving tempo: more extreme on that axis than 90% of everything we've measured. At the far opposite end of the library sit the songs built on near-total stillness — steady volume, no surprises, a slow and unhurried pulse — the kind of track this one is the counterpoint to.

Feels almost identical to

Closest matches by feel across all 19,209 measured songs — not by genre or artist, by how they actually move.

What it’s good for

Sleep5/10
Focus9/10
Workout6/10
Dinner8/10
Party / hype5/10

Scored from this song’s tempo, intensity, dynamics and texture — not crowd votes.

1983 in context

The 242 songs we’ve measured from 1983 average a dynamic range of 6.5/10. At 7/10, this track is right in line with its year.

Mixes smoothly with

Within a few BPM and close in feel — they flow without a jarring transition.

The fingerprint

Intensity45
Dynamics67
Tempo56
Surprise25
Density33
Predictability50
Vocal force0
Trigger load0

The 8-dimension measurement behind every rating on this page.

Want the single closest match, with every dimension compared?

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