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10 songs that feel like All Day and All of the Night

Matched to All Day and All of the Night by The Kinks on how the music actually moves — intensity, dynamic swing, texture, tempo — not by genre tag. Here's what makes each one a match.

The song you love
All Day and All of the Night
The Kinks
intense 60/100 intensity 150 BPM
Death or Glory — Iron Maiden moderate 140 BPM

A 97% feel-match — carries the same intense pull and lands at almost exactly the same energy (55/100).

Bliss — Muse moderate 140 BPM

97% match across our 8 measured dimensions; it lands at almost exactly the same energy (55/100). Same layered texture.

Cruel Summer — Taylor Swift moderate 100 BPM

Keeps the same romantic pull — sits a little calmer at 51/100. Measured 90% alike.

Baby I — Ariana Grande moderate 130 BPM

Measures 94% the same. It sits a little calmer at 54/100. Same layered texture.

In the Midnight Hour — Wilson Pickett moderate 120 BPM

A 94% feel-match — carries the same romantic pull and sits a little calmer at 53/100.

Morse Code — Roni Size moderate 170 BPM

96% match across our 8 measured dimensions; it lands at almost exactly the same energy (57/100). Same layered texture.

Expresso Love — Dire Straits moderate 128 BPM

Keeps the same romantic pull — sits a little calmer at 54/100. Measured 93% alike.

Frederick — Patti Smith moderate 128 BPM

Measures 93% the same. It sits a little calmer at 54/100. Same layered texture.

Born to Run — Frankie Goes to Hollywood moderate 130 BPM

A 96% feel-match — carries the same intense pull and sits a little calmer at 54/100.

Gun in My Head — Lil Baby intense 140 BPM

98% match across our 8 measured dimensions; it lands at almost exactly the same energy (60/100). Same layered texture.

…and if you want it calmer

Same feeling, measured gentler — for when All Day and All of the Night is more than you want right now.

São Paulo — The Weeknd ft. Anitta moderate 92 BPM

Keeps the same feel of the original, but it measures markedly calmer overall. Intensity 50/100, down from 60.

Cruel Summer by Taylor Swift
Cruel Summer — Taylor Swift moderate 100 BPM

It measures markedly calmer overall, so it lands at 51/100 — the pull without the edge.

We Don't Talk About Bruno — Lin-Manuel Miranda moderate 120 BPM

If it's the same feel you're after, this delivers it while it eases off just enough to take the edge off. Reads 60/100.

I Don't Want This Night to End — Luke Bryan moderate 120 BPM

Holds the same feel while it measures markedly calmer overall. 49/100, versus the original's 60.

Feel That Fire — Dierks Bentley moderate 120 BPM

Keeps the same feel of the original, but it measures markedly calmer overall. Intensity 49/100, down from 60.

Rhythm of Love — Yes moderate 120 BPM

It measures markedly calmer overall, so it lands at 49/100 — the pull without the edge.

Extreme Ways — Moby moderate 120 BPM

If it's the same feel you're after, this delivers it while it eases off just enough to take the edge off. Reads 53/100.

Vertigo — The Libertines moderate 120 BPM

Holds the same feel while it measures markedly calmer overall. 49/100, versus the original's 60.

Frequently asked

What songs sound like “All Day and All of the Night” by The Kinks?

The closest feel-matches we measure are “Death or Glory” by Iron Maiden, “Bliss” by Muse, “Cruel Summer” by Taylor Swift — the top match scores 97% alike. Matching is by how the songs actually move (intensity, dynamic range, texture, tempo, predictability, vocal force), not by genre tag or popularity.

What songs are like “All Day and All of the Night” but calmer?

“São Paulo” by The Weeknd ft. Anitta, “Cruel Summer” by Taylor Swift, “We Don't Talk About Bruno” by Lin-Manuel Miranda keep a similar feel while measuring gentler — lower dynamic swing, fewer sudden shifts, or a calmer overall level.

How intense is “All Day and All of the Night”?

It measures 60/100 on our intensity scale, computed from a dynamic range of 7/10, layered texture, mild sudden shifts, and dynamic vocals. Tempo is 150 BPM.

How do you decide which songs are similar?

Every song in our catalog is measured on 8 dimensions — intensity, dynamic range, tempo, sudden changes, texture, predictability, vocal force and fine sound detail. Similarity is the distance between two songs across those measurements, so matches cross genres and eras. Shared mood tags break ties.

By the numbers: how this song compares

Computed from this song’s place among the 19,209 songs we’ve measured.

Where it sits in 19,000 songs

On our 19k-song scale this lands in the middle band — more energetic than 77% of songs, calmer than the other 23%. Its intensity reading of 60/100 comes from a dynamic range of 7/10, layered texture, mild shifts, and dynamic vocals. Relatively few songs occupy this exact corner of the spectrum.

What makes it unusual

What stands out most about this song is a fast, driving tempo: more extreme on that axis than 95% of everything we've measured. At the far opposite end of the library sit the songs built on near-total stillness — steady volume, no surprises, a slow and unhurried pulse — the kind of track this one is the counterpoint to.

Feels almost identical to

Closest matches by feel across all 19,209 measured songs — not by genre or artist, by how they actually move.

What it’s good for

Sleep2/10
Focus6/10
Workout7/10
Dinner6/10
Party / hype6/10

Scored from this song’s tempo, intensity, dynamics and texture — not crowd votes.

1964 in context

The 132 songs we’ve measured from 1964 average a dynamic range of 6.1/10. At 7/10, this track is louder and more dynamic than its year.

Mixes smoothly with

Within a few BPM and close in feel — they flow without a jarring transition.

The fingerprint

Intensity60
Dynamics67
Tempo61
Surprise25
Density33
Predictability50
Vocal force75
Trigger load25

The 8-dimension measurement behind every rating on this page.

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