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10 songs that feel like All Alright

Matched to All Alright by Sigur Rós on how the music actually moves — intensity, dynamic swing, texture, tempo — not by genre tag. Here's what makes each one a match.

All Alright
The song you love
All Alright
Sigur Rós
moderate 50/100 intensity 85 BPM
Splitting the Atom — Massive Attack moderate 90 BPM

A 99% feel-match — carries the same spacious pull and lands at almost exactly the same energy (50/100). Nearly the same tempo, too (90 BPM).

Tenere Taqqim Tossam — Tinariwen moderate 85 BPM

96% match across our 8 measured dimensions; it lands at almost exactly the same energy (50/100). Same layered texture.

Daydreaming — Massive Attack moderate 95 BPM

Keeps the same spacious pull — lands at almost exactly the same energy (51/100). Measured 98% alike.

Chet Boghassa — Tinariwen moderate 95 BPM

Measures 94% the same. It lands at almost exactly the same energy (47/100). Same layered texture.

Welcome to the Machine — Pink Floyd moderate 90 BPM

A 95% feel-match — carries the same spacious pull and lands at almost exactly the same energy (50/100). Nearly the same tempo, too (90 BPM).

OX4 — Ride moderate 95 BPM

95% match across our 8 measured dimensions; it lands at almost exactly the same energy (51/100). Same layered texture.

Numbness — The Verve moderate 95 BPM

Keeps the same spacious pull — lands at almost exactly the same energy (51/100). Measured 95% alike.

Diving Woman — Japanese Breakfast moderate 95 BPM

Measures 95% the same. It lands at almost exactly the same energy (51/100). Same layered texture.

Soul Kitchen — The Doors moderate 104 BPM

A 93% feel-match — carries the same spacious pull and lands at almost exactly the same energy (48/100).

Machinist — Japanese Breakfast moderate 95 BPM

90% match across our 8 measured dimensions; it lands at almost exactly the same energy (54/100). Same layered texture.

…and if you want it calmer

Same feeling, measured gentler — for when All Alright is more than you want right now.

Two Fish and an Elephant by Khruangbin
Two Fish and an Elephant — Khruangbin safe 95 BPM

Keeps the same feel of the original, but it stays in our safe band start to finish. Intensity 37/100, down from 50. Nearly the same tempo, too.

Islands by Philip Glass
Islands — Philip Glass safe 72 BPM

Its dynamic range stays a gentler 4 where the original climbs to 7, so it lands at 13/100 — the pull without the edge.

Music for Airports 1/2 by Brian Eno
Music for Airports 1/2 — Brian Eno safe

If it's the same feel you're after, this delivers it while its dynamic range stays a gentler 2 where the original climbs to 7. Reads 15/100.

Gymnopédie No. 1 — Erik Satie safe 60 BPM

Holds the same feel while its dynamic range stays a gentler 2 where the original climbs to 7. 5/100, versus the original's 50.

Blowin' in the Wind by Bob Dylan
Blowin' in the Wind — Bob Dylan safe 80 BPM

Keeps the same feel of the original, but its dynamic range stays a gentler 3 where the original climbs to 7. Intensity 12/100, down from 50. Nearly the same tempo, too.

Tranquility Base Hotel + Casino by Arctic Monkeys
Tranquility Base Hotel + Casino — Arctic Monkeys safe 85 BPM

Its dynamic range stays a gentler 3 where the original climbs to 7, so it lands at 13/100 — the pull without the edge. Nearly the same tempo, too.

Überlin by R.E.M.
Überlin — R.E.M. safe 92 BPM

If it's the same feel you're after, this delivers it while its dynamic range stays a gentler 4 where the original climbs to 7. Reads 17/100. Nearly the same tempo, too.

Mycelia by Björk
Mycelia — Björk safe 80 BPM

Holds the same feel while its dynamic range stays a gentler 3 where the original climbs to 7. 10/100, versus the original's 50. Nearly the same tempo, too.

Frequently asked

What songs sound like “All Alright” by Sigur Rós?

The closest feel-matches we measure are “Splitting the Atom” by Massive Attack, “Tenere Taqqim Tossam” by Tinariwen, “Daydreaming” by Massive Attack — the top match scores 99% alike. Matching is by how the songs actually move (intensity, dynamic range, texture, tempo, predictability, vocal force), not by genre tag or popularity.

What songs are like “All Alright” but calmer?

“Two Fish and an Elephant” by Khruangbin, “Islands” by Philip Glass, “Music for Airports 1/2” by Brian Eno keep a similar feel while measuring gentler — lower dynamic swing, fewer sudden shifts, or a calmer overall level.

How intense is “All Alright”?

It measures 50/100 on our intensity scale, computed from a dynamic range of 7/10, layered texture, mild sudden shifts, and dynamic vocals. Tempo is 85 BPM.

How do you decide which songs are similar?

Every song in our catalog is measured on 8 dimensions — intensity, dynamic range, tempo, sudden changes, texture, predictability, vocal force and fine sound detail. Similarity is the distance between two songs across those measurements, so matches cross genres and eras. Shared mood tags break ties.

By the numbers: how this song compares

Computed from this song’s place among the 19,209 songs we’ve measured.

Where it sits in 19,000 songs

On our 19k-song scale this lands in the middle band — more energetic than 62% of songs, calmer than the other 38%. Its intensity reading of 50/100 comes from a dynamic range of 7/10, layered texture, mild shifts, and dynamic vocals. It shares this stretch of the spectrum with thousands of other tracks, so the finer fingerprint below is what really separates it.

What makes it unusual

What stands out most about this song is a slow, unhurried pace: more extreme on that axis than 77% of everything we've measured. At the far opposite end of the library sit the songs built on full chaos — sudden changes, huge quiet-to-loud swings, and relentless energy — the kind of track this one is the counterpoint to.

Feels almost identical to

Closest matches by feel across all 19,209 measured songs — not by genre or artist, by how they actually move.

What it’s good for

Sleep3/10
Focus7/10
Workout3/10
Dinner7/10
Party / hype4/10

Scored from this song’s tempo, intensity, dynamics and texture — not crowd votes.

2008 in context

The 259 songs we’ve measured from 2008 average a dynamic range of 6.4/10. At 7/10, this track is right in line with its year.

Mixes smoothly with

Within a few BPM and close in feel — they flow without a jarring transition.

The fingerprint

Intensity50
Dynamics67
Tempo25
Surprise25
Density33
Predictability50
Vocal force75
Trigger load38

The 8-dimension measurement behind every rating on this page.

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