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10 songs that feel like Forty Six & 2

Matched to Forty Six & 2 by Tool on how the music actually moves — intensity, dynamic swing, texture, tempo — not by genre tag. Here's what makes each one a match.

The song you love
Forty Six & 2
Tool
intense 69/100 intensity 140 BPM
Baby's on Fire — Brian Eno intense 128 BPM

A 98% feel-match — carries the same cathartic pull and lands at almost exactly the same energy (68/100).

Cowgirl in the Sand — Neil Young intense 128 BPM

95% match across our 8 measured dimensions; it lands at almost exactly the same energy (68/100). Same layered texture.

Night — Bruce Springsteen intense 120 BPM

Keeps the same cathartic pull — lands at almost exactly the same energy (68/100). Measured 96% alike.

Victory — PJ Harvey intense 120 BPM

Measures 96% the same. It lands at almost exactly the same energy (68/100). Same layered texture.

Trash — New York Dolls intense 140 BPM

A 99% feel-match — carries the same cathartic pull and lands at almost exactly the same energy (69/100). Nearly the same tempo, too (140 BPM).

Vesuvius — Sufjan Stevens intense 140 BPM

96% match across our 8 measured dimensions; it lands at almost exactly the same energy (73/100). Same layered texture.

Precious Things — Tori Amos intense 135 BPM

Keeps the same cathartic pull — lands at almost exactly the same energy (73/100). Measured 96% alike. Nearly the same tempo, too (135 BPM).

Shaking Hell — Sonic Youth intense 140 BPM

Measures 96% the same. It lands at almost exactly the same energy (69/100). Same layered texture.

Switch — Siouxsie and the Banshees intense 135 BPM

A 95% feel-match — carries the same cathartic pull and lands at almost exactly the same energy (69/100). Nearly the same tempo, too (135 BPM).

Geyser — Mitski intense 128 BPM

95% match across our 8 measured dimensions; it lands at almost exactly the same energy (68/100). Same layered texture.

…and if you want it calmer

Same feeling, measured gentler — for when Forty Six & 2 is more than you want right now.

CPR — Wet Leg moderate 130 BPM

Keeps the same feel of the original, but it eases off just enough to take the edge off. Intensity 86/100, down from 69. Nearly the same tempo, too.

Personal Jesus by Depeche Mode
Personal Jesus — Depeche Mode moderate 129 BPM

It measures markedly calmer overall, so it lands at 54/100 — the pull without the edge.

I've Gotta Get a Message to You — Bee Gees moderate 120 BPM

If it's the same feel you're after, this delivers it while it measures markedly calmer overall. Reads 60/100.

Super 8 — Jason Isbell moderate 120 BPM

Holds the same feel while it measures markedly calmer overall. 53/100, versus the original's 69.

Hunger — Florence and the Machine moderate 110 BPM

Keeps the same feel of the original, but it measures markedly calmer overall. Intensity 52/100, down from 69.

Butcher the Song — Cursive moderate 130 BPM

It measures markedly calmer overall, so it lands at 54/100 — the pull without the edge. Nearly the same tempo, too.

I Should Have Known Better by Wire
I Should Have Known Better — Wire moderate 135 BPM

If it's the same feel you're after, this delivers it while its dynamic range stays a gentler 6 where the original climbs to 8. Reads 50/100. Nearly the same tempo, too.

Outdoor Miner by Wire
Outdoor Miner — Wire moderate 135 BPM

Holds the same feel while it measures markedly calmer overall. 61/100, versus the original's 69. Nearly the same tempo, too.

Frequently asked

What songs sound like “Forty Six & 2” by Tool?

The closest feel-matches we measure are “Baby's on Fire” by Brian Eno, “Cowgirl in the Sand” by Neil Young, “Night” by Bruce Springsteen — the top match scores 98% alike. Matching is by how the songs actually move (intensity, dynamic range, texture, tempo, predictability, vocal force), not by genre tag or popularity.

What songs are like “Forty Six & 2” but calmer?

“CPR” by Wet Leg, “Personal Jesus” by Depeche Mode, “I've Gotta Get a Message to You” by Bee Gees keep a similar feel while measuring gentler — lower dynamic swing, fewer sudden shifts, or a calmer overall level.

How intense is “Forty Six & 2”?

It measures 69/100 on our intensity scale, computed from a dynamic range of 8/10, layered texture, moderate sudden shifts, and dynamic vocals. Tempo is 140 BPM.

How do you decide which songs are similar?

Every song in our catalog is measured on 8 dimensions — intensity, dynamic range, tempo, sudden changes, texture, predictability, vocal force and fine sound detail. Similarity is the distance between two songs across those measurements, so matches cross genres and eras. Shared mood tags break ties.

By the numbers: how this song compares

Computed from this song’s place among the 19,209 songs we’ve measured.

Where it sits in 19,000 songs

This is one of the more intense things in our library — more energetic than 89% of the 19,209 songs we've measured. Its intensity reading of 69/100 comes from a dynamic range of 8/10, layered texture, moderate shifts, and dynamic vocals. Relatively few songs occupy this exact corner of the spectrum.

What makes it unusual

What stands out most about this song is a fast, driving tempo: more extreme on that axis than 90% of everything we've measured. At the far opposite end of the library sit the songs built on near-total stillness — steady volume, no surprises, a slow and unhurried pulse — the kind of track this one is the counterpoint to.

Feels almost identical to

Closest matches by feel across all 19,209 measured songs — not by genre or artist, by how they actually move.

What it’s good for

Sleep0/10
Focus2/10
Workout8/10
Dinner5/10
Party / hype7/10

Scored from this song’s tempo, intensity, dynamics and texture — not crowd votes.

1996 in context

The 309 songs we’ve measured from 1996 average a dynamic range of 6.4/10. At 8/10, this track is louder and more dynamic than its year.

Mixes smoothly with

Within a few BPM and close in feel — they flow without a jarring transition.

The fingerprint

Intensity69
Dynamics78
Tempo56
Surprise50
Density33
Predictability100
Vocal force75
Trigger load25

The 8-dimension measurement behind every rating on this page.

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