The Good, the Bad and the Ugly album art

The Good, the Bad and the Ugly

Ennio Morricone
The Good, the Bad and the Ugly (Original Motion Picture Soundtrack) (1966)
Intense 100 BPM
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Song DNA

Dynamic Range8/10
Sudden Changesfrequent
Texturelayered
Predictabilitymedium
Vocal Styleinstrumental
Notes: Iconic whistling and trumpets create a tense atmosphere.

A classic theme that defines the Spaghetti Western genre.

Cultural Context

Integral to the Western film genre, widely recognized.

Listening Prompt

Imagine the vast landscapes of the Old West.

What to Expect

Builds tension with contrasting melodic lines.

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Hear it the way it was made

The right gear changes everything.

Moods: energetic, intense, reflective, transcendent

Traditions: film score

How this song sits on each sensory axis

A dynamic range of 8/10 is in the upper band of our library. This song has a significant quiet-to-loud arc. For sensory-sensitive listening, set the opening volume well below your comfortable top-end; the climax will land harder than the intro suggests.

Sudden changes: present. This song uses surprise as a feature. For focus or background listening, it's likely to pull your attention away; for active listening, that's often the point.

Texture is layered — a full arrangement with clear separation between parts.

Predictability is medium — conventional structure overall, with one or two moments that deviate from what you'd expect.

Vocal style: instrumental.

Where this sits in Ennio Morricone's catalog

We have 23 songs from Ennio Morricone in the library. Of those, 10 are rated Safe, 6 Moderate, and 7 Intense. This song's dynamic range of 8/10 sits above the artist average of 6.9, making it the #3 most dynamic track of theirs in our library.

Other tracks from The Good, the Bad and the Ugly (Original Motion Picture Soundtrack)

We have 2 songs from this album. Overall, the album leans intense in sensory profile.

1966 context

Released in 1966. We have 166 songs from that year in our library, averaging a dynamic range of 6.4/10. This track is about average than the year average. Explore more from the 1960s.

Explore by mood and tradition

Moods
energetic · 5426intense · 2409reflective · 5792transcendent · 815
Traditions
film score · 74

Why this rating

We rate this song Intense. Our rule is deliberately conservative: any one of high dynamic range, present sudden changes, harsh texture, or a strained/screamed vocal is enough to trigger Intense on its own. Full scoring rubric: methodology.

Rating last reviewed: 2026-04-05. Reviewed by the Music I Want editorial team against the documented methodology.

Think this rating is wrong? Email the editor — every message is read and ratings get revised.

Frequently asked about "The Good, the Bad and the Ugly"

Quick answers pulled from the song's sensory analysis.

What is the sensory intensity of "The Good, the Bad and the Ugly" by Ennio Morricone?

"The Good, the Bad and the Ugly" by Ennio Morricone rates as Intense. Dynamic range 8/10, frequent sudden changes, layered texture, instrumental vocal style. Any one of high dynamic range, present sudden changes, or harsh texture triggers the Intense rating.

How loud is "The Good, the Bad and the Ugly" — what is its dynamic range?

"The Good, the Bad and the Ugly" has a dynamic range of 8/10. Substantial quiet-to-loud arc. Start at a volume well below your top-end; the climax will land harder than the intro suggests.

Does "The Good, the Bad and the Ugly" have sudden or surprising changes?

Yes. "The Good, the Bad and the Ugly" uses surprise as a compositional feature. Expect unsignaled transitions.

What is "The Good, the Bad and the Ugly" best for?

In our library "The Good, the Bad and the Ugly" is recommended for: deep listening, focus, meditation, movement. These tags are assigned only where the song's sensory profile genuinely supports the use case.

When was "The Good, the Bad and the Ugly" released?

"The Good, the Bad and the Ugly" is from 1966, on the album "The Good, the Bad and the Ugly (Original Motion Picture Soundtrack)". It appears in our 1960s catalog.

What is the emotional mood of "The Good, the Bad and the Ugly"?

We tag "The Good, the Bad and the Ugly" as energetic, intense, reflective, transcendent. Moods are tonal descriptors based on how the song reads emotionally — separate from the sensory intensity axes.

What is the vocal style of "The Good, the Bad and the Ugly"?

The vocal style is instrumental.

Should I listen to "The Good, the Bad and the Ugly"?

"The Good, the Bad and the Ugly" is Intense in our ratings — dramatic dynamics, possible sudden changes, or strong vocal or textural energy. Best with intention rather than ambient use. If you are sensory-sensitive, the alternatives section surfaces calmer songs in the same mood family.

Songs with the same DNA

layered texture, similar intensity — across any genre or era.

Just Give Me a Reason
P!nk
moderate
DR 7
Oh! Sweet Nuthin'
The Velvet Underground
moderate
DR 7
Loss Leader
Codeine
moderate
DR 7
Six Days at the Bottom of the Ocean
Explosions in the Sky
moderate
DR 7
Monks
Frank Ocean
intense
DR 8
Mother Popcorn
James Brown
intense
DR 8

Safer alternatives with a similar feel

These songs share similar moods but with a gentler sensory profile.

Crisis
Art Blakey moderate
Shape of Things to Come
Audioslave moderate
Highly Strung
Spandau Ballet moderate
Symphony No. 6 in F major, Op. 68 "Pastoral"
Ludwig van Beethoven moderate
Roll the Bones
Rush moderate

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