Bad Card album art

Bad Card

Bob Marley & The Wailers
Uprising (1980)
Moderate 78 BPM
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Song DNA

Dynamic Range6/10
Sudden Changesmild
Texturelayered
Predictabilityhigh
Vocal Styledynamic vocals
Notes: Mid-tempo reggae groove with steady offbeat rhythm guitar and prominent bass, layered with horns and backing vocals for a full but smooth texture. Predictable structure minimizes surprises, though occasional horn stabs add mild accents.

Misophonia Triggers

Mouth Soundsnone
Percussive Clicksmild
Breathing Soundsnone
Repetitive Micro-soundsnone

Defiant reggae track from Bob Marley's final studio album Uprising, using 'bad card' as a metaphor for betrayal and deceit by a deceitful associate.

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Hear it the way it was made

The right gear changes everything.

Moods: confident, rebellious

Traditions: reggae

How this song sits on each sensory axis

A dynamic range of 6/10 means this song moves. Expect a real volume climb between quiet sections and the loudest part of the arrangement — enough that you may want to set the initial volume below where you'd normally land.

Sudden changes: mild. There are one or two transitions worth knowing about, though they're musically resolved rather than surprise-driven.

Texture is layered — a full arrangement with clear separation between parts.

Predictability is high — the song telegraphs what it will do next. A sensory-sensitive listener can usually guess where it's going without close attention.

Vocal style: dynamic vocals.

Where this sits in Bob Marley & The Wailers's catalog

We have 31 songs from Bob Marley & The Wailers in the library. Of those, 9 are rated Safe, 22 Moderate, and 0 Intense. This song's dynamic range of 6/10 sits above the artist average of 5.5, making it the #19 most dynamic track of theirs in our library.

Other tracks from Uprising

We have 6 songs from this album. Overall, the album leans moderate in sensory profile.

1980 context

Released in 1980. We have 257 songs from that year in our library, averaging a dynamic range of 6.3/10. This track is about average than the year average. Explore more from the 1980s.

Explore by mood and tradition

Moods
confident · 1129rebellious · 1970
Traditions
reggae · 248

Why this rating

We rate this song Moderate because it falls between our Safe and Intense thresholds on at least one dimension. Moderate is the default for most well-produced music that has real arc but no surprise elements. Full rubric: methodology.

Rating last reviewed: 2026-04-13. Reviewed by the Music I Want editorial team against the documented methodology.

Think this rating is wrong? Email the editor — every message is read and ratings get revised.

Frequently asked about "Bad Card"

Quick answers pulled from the song's sensory analysis.

What is the sensory intensity of "Bad Card" by Bob Marley & The Wailers?

"Bad Card" by Bob Marley & The Wailers rates as Moderate intensity. Dynamic range 6/10, mild sudden changes, layered texture. Moderate is the default for well-produced music with real arc but no surprise elements.

How loud is "Bad Card" — what is its dynamic range?

"Bad Card" has a dynamic range of 6/10. Noticeable climb from quiet sections to loudest point. Set opening volume slightly lower than your preferred peak.

Does "Bad Card" have sudden or surprising changes?

"Bad Card" has mild sudden changes — one or two transitions worth knowing about, but they are musically resolved rather than surprise-driven.

What is "Bad Card" best for?

In our library "Bad Card" is recommended for: focus, relaxation. These tags are assigned only where the song's sensory profile genuinely supports the use case.

When was "Bad Card" released?

"Bad Card" is from 1980, on the album "Uprising". It appears in our 1980s catalog.

What is the emotional mood of "Bad Card"?

We tag "Bad Card" as confident, rebellious. Moods are tonal descriptors based on how the song reads emotionally — separate from the sensory intensity axes.

What is the vocal style of "Bad Card"?

The vocal style is dynamic vocals.

Should I listen to "Bad Card"?

"Bad Card" is Moderate intensity — fine for most listeners, but with enough dynamic activity that it works best as active listening rather than background.

Songs with the same DNA

layered texture, similar intensity — across any genre or era.

Wheel Hoss
Bill Monroe & His Blue Grass Boys
safe
DR 6
Brainy
The National
moderate
DR 6
Lester Left Town
Art Blakey
moderate
DR 7
Fear of a Blank Planet
Porcupine Tree
moderate
DR 7
Headsprung
LL Cool J
intense
DR 7
Red Dot Music
Mac Miller
moderate
DR 6

Safer alternatives with a similar feel

These songs share similar moods but with a gentler sensory profile.

I Won't Back Down
Tom Petty safe
You Ain't Woman Enough (To Take My Man)
Loretta Lynn safe
Don't Come Home A-Drinkin' (With Lovin' On Your Mind)
Loretta Lynn safe
The Best Thing I Never Had
Beyoncé safe
One More Chance
The Notorious B.I.G. safe

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